A trilogy? Hell nah, at this rate my grandchildren will be the ones to see the first book completed.Nah that if is cooked. This series is supposed to be a trilogy and it's getting stuck in the rewrite void
A trilogy? Hell nah, at this rate my grandchildren will be the ones to see the first book completed.Nah that if is cooked. This series is supposed to be a trilogy and it's getting stuck in the rewrite void
She's adding toddlerhood arc, obviously /sFor what reason?
She mentioned adding new scenes in chapter 3 where you can interact with Guinevere, along with other rewrites she has planned, but she didn’t explain what those will be about.For what reason? I love BoC, but Jesus Christ. There's nothing you could fix any more, there's nothing you could add any more. The childhood arc was already bloated when she added the dragon as an RO.
Gross, even more bloat, some things should remain offscreen. It seems she's as uninterested with writing the wedding as I am about reading it.She mentioned adding new scenes in chapter 3 where you can interact with Guinevere, along with other rewrites she has planned, but she didn’t explain what those will be about.
It sounds exactly like A Tale of Crowns, which I've been trying to read recently. And basically 90% of current WIPs, mainly by authors who are most active on Tumblr. Sigh. I could leave the community and find a new hobby, but every now and then I still find gems (SPLIT: the Mortal Wound my latest finding).of course, and back to the topic of characters/MC, i think some of them are really just in love with the concept/their characters and not with MC or the dynamics their characters can have with them (MC)/the reader. biggest reason why MC can feel bland/annoying, forgotten, and/or generally have a generic dynamic with the ROs that will make you yawn, roll your eyes, or both of those at the same time
honestly... yeah. I've known AToC ever since it first released, played back then, and had pretty much the same opinion. i also tried to play recently to see if my would opinion change, or if the author/writing itself would, but...It sounds exactly like A Tale of Crowns, which I've been trying to read recently. And basically 90% of current WIPs, mainly by authors who are most active on Tumblr. Sigh. I could leave the community and find a new hobby, but every now and then I still find gems (SPLIT: the Mortal Wound my latest finding).
huge agree, yeah. most of the fanbase want the same old slop, and I've find the community has become really toxic as of late (well, sure, i did write a huge word vomit earlier, but at the least i wasn't mean... LMFAO)And yet if your IF differs significantly from the "accepted" paradigm, good luck getting people to as much as look at it ¯\_(ツ)_/¯
Would be nice if someone created a list of the more unusual/unique IFs, tho. Food for reading + people could go support some lesser known authors.

I went and did it https://choiceofmods.com/threads/unusual-and-or-underappreciated-ifs.4827/and agree again! we could probably create a thread and comment/discuss about different/unusual IFs.
AKA Booktok slop but now with choices. Biggest reason I stopped reading traditional books unless it was published pre-covid. Books and reading is now a disposable commodity and people only write because of the clout it might give them, not because they have any story to tell. It's brainless, fast food consumerism at it finest.okay, completely unrelated with the discussion going on but it's 4am and I need to rant:
the IF scene has been terrible as of late to me, oh my god. I'm not even talking about one story in particular, I'm talking about the whole community (which makes me kinda wary I'm going off-topic here... but fingers crossed that not, LOL).
there's been a lot of releases and i feel like a lot of them are the same old thing... same tropes, same problems, etc.
to start – MC is always some sort of mary sue at the same time they're everyone's (author included) punching bag. really special and by all means supposed to be able to stand up for themselves, but then they keep getting saved over and over again by the other characters... and i don't mean this only in IFs that have this "risk factor" to them if you get what i mean, even in slice-of-life ones i see MC being completely incompetent. which i'd say it's fair, that would be interesting/different even if written well (or just generally on purpose. not my cup of tea specifically, but I'd respect it if nothing else), but it just doesn't make any sense when the whole plot revolves around them (MC) being an special little thing (chosen by prophecy, having a different power from everyone else, the best at their job, you name it).
i also feel like ROs are becoming more and more bland because authors keep writing based on tropes/making them fall into archetypes rather than actually developing them and making them unique. it's always nice RO, icy/stoic and/or "tsundere" RO, flirty and playful RO. not necessarily meaning the game only have 3 ROs - just that every other one kinda falls into the same umbrella/term. and honestly, i could talk for hours about how, when the ROs are men (which, a lot of the time they are), the romance is almost always written with a fem MC in mind. so you have a beautiful (being sarcastic here...) generic dynamic where the big guy saves the petite, damsel-in-distress MC (which can be kinda funny when i, for one, make my MC stoic and 6'4. yeah, even in slice-of-life! if my MC isn't looking like an old war veteran I don't want it. /joke. kinda?!).
I'd say that even the settings are repeated/cliches, a lot of time. war is coming. something evil and magical is on the play (maybe a god, maybe a curse). dystopian city (always night, violent, and full of neon lights...) with gang wars/violence/someone put a target on your back and is making your life difficult, but somehow you're surviving despite getting kicked all the way to heaven by some minor enemy in the beginning of the story. and yeah, i guess it's difficult to invent something brand new, but i also think authors could add their own flair to old stuff. a different plot twist, an interesting resolution...
on a general note, there's also the point that a lot of people get starry-eyed with big IFs and forget the amount of commitment they should have if they want to do their own - hence a lot of abandoned WIPs, IFs with so many grammatical errors and bugs it's a miracle you make it past the first choice, authors that starts a bazillion and one different games (and of course, they finish none), games that take forever to release even the prologue (and if they do, by some sort of divine help, make it to chapter one, you can expect it to be divided in 456 parts. 2 lines per update)... not too hard on the last one because i know writing isn't, despite popular thinking, easy at all. but still, my main point is that people often go to this scene with unplanned stories, unaware of how to deal with fans (and haters, because this is the internet unfortunately), etc etc. just with a faint idea of becoming the next big author who gets 5 billion and some more on their patreon and has at least 63k followers.
of course I'm exaggerating the numbers, and at the end of the day I'm well aware they (authors) are only human, but i think more and more people are losing the "passion" part of the projects and focusing solely on numbers or making it big.
of course, and back to the topic of characters/MC, i think some of them are really just in love with the concept/their characters and not with MC or the dynamics their characters can have with them (MC)/the reader. biggest reason why MC can feel bland/annoying, forgotten, and/or generally have a generic dynamic with the ROs that will make you yawn, roll your eyes, or both of those at the same time (don't ask me about the logistics of yawning while you roll your eyes... it's more about the vibes). in a lot of IFs you could just take MC out the story that it would work for the most part, if not all of it. MC doesn't seem like part of the universe like the ROs are, even if they have lived in that place since they were born and despite everything, it was home (tm)...
anyways, this got terribly long (though honestly, if i could, i would rant even more) but those are some of my thoughts. you can tell i desperately need more recommendations that won't make me want to pluck my eyes out...
as a disclaimer, though, i will say that it's okay to be generic sometimes, but at least have the writing skills to back it up... I've liked a bunch of "generic, bland" stuff just because the writing was good and/or the characters had some interesting dynamic that i liked. is this hypocritical of me?! oh well...
It's a shame but yeah, I know four people that post covid built massive bookshelves, all full of new books... And they haven't read half-AKA Booktok slop but now with choices. Biggest reason I stopped reading traditional books unless it was published pre-covid. Books and reading is now a disposable commodity and people only write because of the clout it might give them, not because they have any story to tell. It's brainless, fast food consumerism at it finest.
I agree on that romance dynamic part, mate. Sometimes I feel like they wrote the story based around a Female mc and Male ROs, give an option to swap the gender, and then called it a day.i also feel like ROs are becoming more and more bland because authors keep writing based on tropes/making them fall into archetypes rather than actually developing them and making them unique. it's always nice RO, icy/stoic and/or "tsundere" RO, flirty and playful RO. not necessarily meaning the game only have 3 ROs - just that every other one kinda falls into the same umbrella/term. and honestly, i could talk for hours about how, when the ROs are men (which, a lot of the time they are), the romance is almost always written with a fem MC in mind. so you have a beautiful (being sarcastic here...) generic dynamic where the big guy saves the petite, damsel-in-distress MC (which can be kinda funny when i, for one, make my MC stoic and 6'4. yeah, even in slice-of-life! if my MC isn't looking like an old war veteran I don't want it. /joke. kinda?!).

If Books = smart then having lots of books = being really smart. Also, a lot of HGTV inspired interior designers push having a large bookshelf for the aesthetic of having one. It's not like pre-covid didn't have slop, I have read the black dagger brotherhood series (good god it's still going on), covid just made a problem worse, and it's bleeding out to everything writing and literary related.It's a shame but yeah, I know four people that post covid built massive bookshelves, all full of new books... And they haven't read half-
scratch that, they've maybe read ten
What do they talk about? Buying more
I think they collect them because they look pretty? Idk just feels sad to have all those books if you aren't ever planning on reading themIf Books = smart then having lots of books = being really smart. Also, a lot of HGTV inspired interior designers push having a large bookshelf for the aesthetic of having one. It's not like pre-covid didn't have slop, I have read the black dagger brotherhood series (good god it's still going on), covid just made a problem worse, and it's bleeding out to everything writing and literary related.
oh yeah, definitely. i try to read a lot (not counting IFs, LOL) and i've been sticking mostly to classics/older books. whenever i read a more recent book, i tend to avoid the YA/romance genre at all costs because i know i'm just going to get annoyed...AKA Booktok slop but now with choices. Biggest reason I stopped reading traditional books unless it was published pre-covid. Books and reading is now a disposable commodity and people only write because of the clout it might give them, not because they have any story to tell. It's brainless, fast food consumerism at it finest.
Not just that they no longer read, but there are a lot of bad faith readers as well. People who expect books to be held to an absurd purity degree, often ignoring context (both in text and historical) in order to 'prove' that they could write something better. The story of Persephone and frankly Greek myth in general gets these types of readers a lot, but a lot of 'feminist' retellings tend to have writers who fall into this category.oh yeah, definitely. i try to read a lot (not counting IFs, LOL) and i've been sticking mostly to classics/older books. whenever i read a more recent book, i tend to avoid the YA/romance genre at all costs because i know i'm just going to get annoyed...
i guess this also ties back to the whole IF thing. i find a lot of authors/writers in general doesn't really read anymore, and if they do, it's pretty much similar slop that tries to be 'deep and emotional' but is always just cringy/senseless. in a way, i think this explains why the quality of the writing/stories have been... not great at all as mentioned before. -_-''
Simply explore other IFs outside of COG/HG. There are thousands of interesting IFs out there. As I've said before, start with IFcomp games, then go through IFDB (if you can get used to the dogshit UI) or try ADRIFT or CYS and Delight Games (highly recommended)okay, completely unrelated with the discussion going on but it's 4am and I need to rant:
the IF scene has been terrible as of late to me, oh my god. I'm not even talking about one story in particular, I'm talking about the whole community (which makes me kinda wary I'm going off-topic here... but fingers crossed that not, LOL).
there's been a lot of releases and i feel like a lot of them are the same old thing... same tropes, same problems, etc.
to start – MC is always some sort of mary sue at the same time they're everyone's (author included) punching bag. really special and by all means supposed to be able to stand up for themselves, but then they keep getting saved over and over again by the other characters... and i don't mean this only in IFs that have this "risk factor" to them if you get what i mean, even in slice-of-life ones i see MC being completely incompetent. which i'd say it's fair, that would be interesting/different even if written well (or just generally on purpose. not my cup of tea specifically, but I'd respect it if nothing else), but it just doesn't make any sense when the whole plot revolves around them (MC) being an special little thing (chosen by prophecy, having a different power from everyone else, the best at their job, you name it).
i also feel like ROs are becoming more and more bland because authors keep writing based on tropes/making them fall into archetypes rather than actually developing them and making them unique. it's always nice RO, icy/stoic and/or "tsundere" RO, flirty and playful RO. not necessarily meaning the game only have 3 ROs - just that every other one kinda falls into the same umbrella/term. and honestly, i could talk for hours about how, when the ROs are men (which, a lot of the time they are), the romance is almost always written with a fem MC in mind. so you have a beautiful (being sarcastic here...) generic dynamic where the big guy saves the petite, damsel-in-distress MC (which can be kinda funny when i, for one, make my MC stoic and 6'4. yeah, even in slice-of-life! if my MC isn't looking like an old war veteran I don't want it. /joke. kinda?!).
I'd say that even the settings are repeated/cliches, a lot of time. war is coming. something evil and magical is on the play (maybe a god, maybe a curse). dystopian city (always night, violent, and full of neon lights...) with gang wars/violence/someone put a target on your back and is making your life difficult, but somehow you're surviving despite getting kicked all the way to heaven by some minor enemy in the beginning of the story. and yeah, i guess it's difficult to invent something brand new, but i also think authors could add their own flair to old stuff. a different plot twist, an interesting resolution...
on a general note, there's also the point that a lot of people get starry-eyed with big IFs and forget the amount of commitment they should have if they want to do their own - hence a lot of abandoned WIPs, IFs with so many grammatical errors and bugs it's a miracle you make it past the first choice, authors that starts a bazillion and one different games (and of course, they finish none), games that take forever to release even the prologue (and if they do, by some sort of divine help, make it to chapter one, you can expect it to be divided in 456 parts. 2 lines per update)... not too hard on the last one because i know writing isn't, despite popular thinking, easy at all. but still, my main point is that people often go to this scene with unplanned stories, unaware of how to deal with fans (and haters, because this is the internet unfortunately), etc etc. just with a faint idea of becoming the next big author who gets 5 billion and some more on their patreon and has at least 63k followers.
of course I'm exaggerating the numbers, and at the end of the day I'm well aware they (authors) are only human, but i think more and more people are losing the "passion" part of the projects and focusing solely on numbers or making it big.
of course, and back to the topic of characters/MC, i think some of them are really just in love with the concept/their characters and not with MC or the dynamics their characters can have with them (MC)/the reader. biggest reason why MC can feel bland/annoying, forgotten, and/or generally have a generic dynamic with the ROs that will make you yawn, roll your eyes, or both of those at the same time (don't ask me about the logistics of yawning while you roll your eyes... it's more about the vibes). in a lot of IFs you could just take MC out the story that it would work for the most part, if not all of it. MC doesn't seem like part of the universe like the ROs are, even if they have lived in that place since they were born and despite everything, it was home (tm)...
anyways, this got terribly long (though honestly, if i could, i would rant even more) but those are some of my thoughts. you can tell i desperately need more recommendations that won't make me want to pluck my eyes out...
as a disclaimer, though, i will say that it's okay to be generic sometimes, but at least have the writing skills to back it up... I've liked a bunch of "generic, bland" stuff just because the writing was good and/or the characters had some interesting dynamic that i liked. is this hypocritical of me?! oh well...
Eh. Delight Games is almost heavily aimed towards guys and male power fantasies. In fact, once you look outside of COG/HG, your only options are dealing with UI that hasn't been updated since the 90s (IFDB), extremely short (IFComp), heavily geared towards straight males with little inclusion (Delight Games) or suffer from the same problems that COG/HG does (Twine).Delight Games (highly recommended)